I work across photography, collage, and text to recover the lives of women the historical record left out, overlooked, or misremembered—not as reconstruction, but as retrieval.

That work begins in specific places with their own histories, sites I return to again and again, observing how landscape holds trace and memory over time. It continues in the studio, through disciplined archival research, and in writing that moves fluidly between image and text. The result sits deliberately between evidence and imagination: precise about its sources, while making room for intimacy, longing, and the gaps scholarship alone cannot fill.